Garuda

Vishnu, second god of the triad that rules over the Hindu pantheon, rides either on the serpent that fills the seas or on the back of Garuda. Pictorially, Vishnu is represented as blue and with four arms, holding in each hand the club, the shell, the sphere, and the lotus. Garuda is half vulture and half man, with the wings, beak, and talons of the one and body and legs of the other. His face is white, his wings of a bright scarlet, and his body golden. Figures of Garuda, worked in bronze or stone, are worshipped in the temples of India. One is found in Gwalior, erected more than a hundred years before the Christian era by a Greek, Heliodorus, who became a follower of Vishnu.

In the Garuda Purana - one of the many Puranas, or traditions, of Hindu lore - Garuda expounds at length on the beginnings of the universe, the solar essence of Vishnu, the rites of his cult, the genealogies of the kings descended from the sun and the moon, the plot of the Ramayana, and various minor topics, such as the craft of verse, grammar, and medicine.

In a seventh-century drama called the Mirthofthe Snakes and held to be the work of a king, Garuda kills and each day devours a snake (probably the hooded cobra) until a Buddhist prince teaches him the value of abstinence. In the last act, the penitent Garuda brings back to life the bones of the many generations of serpents he has fed upon. Eggeling holds that this work may be a Brahman satire on Buddhism.

Nimbarka, a mystic whose date is uncertain, has written that Garuda is a soul saved forever, as are his crown, his earrings, and his flute.